October 2021 - Publik.ims - lists3.sunet.se

[Publik.ims] Next Media Impact event "The sound of Elsa - Att höra “Let it Go” med barnens öron" - in Swedish!

by publik.ims＠lists.sunet.se

Dear all, We continue the IMS series of online, popular talks. Next week we will have a talk in Swedish by Signe Kjaer Jensen about children’s experiences and interpretation when they watch Frozen and listen to ‘Let it Go’. Välkommen till ett media impact webinar på torsdagen den 28 oktober, kl 15.30-16.00 The sound of Elsa - Att höra “Let it Go” med barnens öron Musik spelar i film en viktig roll för att förstå karaktärernas inre liv. Många vuxna utgår ifrån att musikens roll i film är svårt att uppmärksamma och diskutera. Men redan 7-åringar förknippar musikens rytm, klang och ljudstyrka med karaktärernas minspel och andra synintryck när de talar om karaktärernas inre liv. Signe Kjaer Jensen<https://lnu.se/personal/signe.kjaerjensen/> är musikvetare och undervisar på Institutionen för film och litteratur på Linnéuniversitetet. Hon forskar om musikens och ljudens roll inom intermediala och multimodala mediekontexter. Hon disputerade nyss med avhandlingen Musicalized Characters: A study of music, multimodality, and the empiric child perspective on mainstream animation.<http://lnu.diva-portal.org/smash/record.jsf?aq2=%5B%5B%5D%5D&c=4&af=%5B%5D&…> Mer information och länk till webinariet hittar du här: https://lnu.se/mot-linneuniversitetet/aktuellt/kalender/2021/media-impact-s… Media impact är en serie webinarier som ger dig chansen att ta del av aktuell forskning om hur vårt vardagliga mediebruk påverkar kommunikationen inom konst, populärkultur och kunskapsförmedling. Lär dig mer om betydelsen att överraskas, hur kunskap förmedlas via datorspel, vad vi gör när vi går på allsång, hur romaner, filmer eller poesi kommunicerar klimatkrisen och hur musik påverkar journalistik, eller våld och klassisk musik har gemensamt. Varmt välkomna! Beate Beate Schirrmacher Lektor/Senior Lecturer Linnéuniversitetet /Linnaeus University Institutionen för film och litteratur/ Department of Film and Literature 391 82 Kalmar / 351 95 Växjö 0772-28 80 00 Växel 0470-70 88 41 Direkt 0733-395299 Mobil beate.schirrmacher at lnu.se<mailto:beate.schirrmacher at lnu.se>

2 years, 6 months

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[Publik.ims] Next week's IMS seminar with Beate Schirrmacher on truth claims in faked news

by publik.ims＠lists.sunet.se

Dear all, Welcome to next week’s IMS seminar, where we will discuss Beate Schirrmacher’s article draft A Story Too Good to Be True: Manipulation of Truth Claims in Faked News. Since the article draft is still in its early stages, it will not be circulated widely via this mail, but those who want to attend the seminar can obtain the article draft by replying to this mail. Note that Nafiseh Mousavi’s seminar originally scheduled next week has been moved to December. Abstract: In 2018, former German star reporter Claas Relotius had to admit that he manipulated most of his prize-winning feature stories. So why did no one for a long time suspect that his stories were a bit too good to be true? Instead of trying to tell facts from fiction, the article explores how facts and narrative interact in the factual narratives of news. Drawing on Lars Elleström’s approach to how truthfulness in communication is based on indexicality (2018) the analysis looks for indexical traces of journalistic work in two features published in Der Spiegel: “Karam’s first day at school” by Alexander Osang (2018) and the manipulated feature “The story of Ahmed and Alin” by Claas Relotius (2016). The analysis explores how observed and verifiable details interact with elements of internal and external coherence. In Osang’s feature, the different indexical relations are closely connected yet clearly separated. Main events are grounded in several indexical relations. In Relotius’ manipulated feature, the different indexical relations are not easily identified, and elements of coherence point towards each other instead of being grounded in observed and verifiable detail. This kind of analysis makes it possible to start to describe more in detail how a factual narrative is truthfully or only deficiently grounded in actual events. It is possible to attend the seminar both from Dacke in Växjö and via zoom: https://lnu-se.zoom.us/j/940933326 The seminar is on the 20 Oct. from 10.15-12.00 CEST. Best wishes, Signe – on behalf of IMS IMS on Facebook: https://www.facebook.com/LNU.IMS IMS public email list: https://lists.sunet.se/listinfo/publik.ims IMS website: https://lnu.se/en/research/searchresearch/linnaeus-university-centre-for-in… Signe Kjaer Jensen / PhD Senior Lecturer, Department of Film and Literature Linnæus University Department of Film and Literature 351 95 Växjö Sweden https://lnu.se/personal/signe.kjaerjensen/ signe.kjaerjensen at lnu.se<mailto:signe.kjaerjensen at lnu.se>

2 years, 6 months

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[Publik.ims] Cfp 6th Conference of the International Society for Intermedial Studies

by publik.ims＠lists.sunet.se

Cfp In Between and Across: New Directions, Mappings and Contact Zones Venue Trinity College, Dublin Dates 1-2-3 September 2022 Organising Committee Prof Clodagh Brook (TCD), Dr Cecilia Brioni (TCD) Scientific Council Prof Clodagh Brook (TCD), Prof Florian Mussgnug (UCL), Prof Giuliana Pieri (RHUL), Dr Marco Bellardi (TCD), Dr Cecilia Brioni (TCD), Dr Eleonora Lima (TCD), Dr Adele Bardazzi (TCD), Dr Emanuela Patti (University of Edinburgh) Partners Trinity College Dublin, Royal Holloway, UCL, Interdisciplinary Italy Keynote addresses The conference will showcase 3 keynote addresses by: · Marion Schmid, Professor of French Literature and Film, University of Edinburgh. · Nicola Camerlenghi, Associate Professor, Dartmouth College. · Ravi Sundaram, Professor, Centre for the Study of Developing Societies (CSDS), Delhi. Conference Description The 6th conference of the International Society for Intermedial Studies focuses on concepts of ‘inbetweenness’ and ‘moving across’. These two spatial metaphors capture the tension between stasis and fluidity that underlies all intermediality. The need to map these shifting spaces, to chart directions, and to see where, and how, these inbetween zones connect to other neighbouring spaces has become critical. Intermedial ‘inbetweenness’ is now a mainstream, rather than marginal, phenomenon, and, as academic disciplines themselves become more fluid, this is an exciting time to explore and re-explore this territory together during this conference. We invite contributions in the following categories, which address, but are not limited to, the topics outlined below. More detailed context and questions can be found on the full CfP online (See below) · Inbetween and across disciplines · Inbetween and across geographies, ecologies and cultures · Inbetween and across arts. · Inbetween and across technologies Key Dates 15 January 2022: Deadline for panel submissions. 1 February 2022: Deadline for paper submissions. 1 February 2022: Deadline for roundtables and workshops submissions All submissions should be sent to the e-mail address intermedialconference2022 at tcd.ie<mailto:intermedialconference2022 at tcd.ie> by the relevant deadline Notification of acceptance will be communicated on 1 March 2022. The full CFP is available here<http://isis.digitaltextualities.ca/6th-isis-intermedial-conference/>. More details of how to submit proposals and papers can be found here<http://isis.digitaltextualities.ca/6th-isis-intermedial-conference-guidelin…>. Please note that we strongly support equality, diversity and inclusivity across all elements of this conference. Check here<http://isis.digitaltextualities.ca/6th-isis-intermedial-conference-equality…> the conference’s Equality, Diversity and Inclusion policy. Clodagh Brook Professor in Italian and Head of Italian School of Languages, Literatures and Cultural Studies Trinity College Dublin, the University of Dublin Room 4040, Arts Building, Dublin 2, Ireland +353 1 8962063. brookc at tcd.ie<mailto:brookc at tcd.ie>. https://www.tcd.ie/Italian/ AHRC International Co-investigator: www.interdisciplinaryitaly.org<http://www.interdisciplinaryitaly.org> –––––––––––– Ollamh agus Ceann an hIodáilise Scoil na dTeangacha, na Litríochtaí agus na gCultúr,Coláiste na Tríonóide, Baile Átha Cliath, Ollscoil Átha Cliath Seomra 4040, Foirgneamh na nEalaíon, Baile Átha Cliath 2, Éire Comhthaighdeoir Idirnáisiúnta: www.interdisciplinaryitaly.org<http://www.interdisciplinaryitaly.org> [Immagine correlata][Risultati immagini per Athena Swan bronze] Da: <anacmunari at unisc.br<mailto:anacmunari at unisc.br>> per conto di I Encontro de Pesquisadores em Intermidialidade <1encontropesquisadoresintermidia at unisc.br<mailto:1encontropesquisadoresintermidia at unisc.br>> Data: mercoledì 22 settembre 2021 14:02 A: Ágnes Pethő <petho.agnes at gmail.com<mailto:petho.agnes at gmail.com>>, María Andrea GIOVINE <magiovine at hotmail.com<mailto:magiovine at hotmail.com>>, "alekzmartony at hotmail.com<mailto:alekzmartony at hotmail.com>" <alekzmartony at hotmail.com<mailto:alekzmartony at hotmail.com>>, Beate Schirrmacher <beate.schirrmacher at lnu.se<mailto:beate.schirrmacher at lnu.se>>, Clodagh Brook <BROOKC at tcd.ie<mailto:BROOKC at tcd.ie>>, Thiago Luiz Berzoini Machado <thiagoberzoini at uniacademia.edu.br<mailto:thiagoberzoini at uniacademia.edu.br>>, "brunilda.reichmann at gmail.com<mailto:brunilda.reichmann at gmail.com>" <brunilda.reichmann at gmail.com<mailto:brunilda.reichmann at gmail.com>>, "camilafig1 at gmail.com<mailto:camilafig1 at gmail.com>" <camilafig1 at gmail.com<mailto:camilafig1 at gmail.com>>, Eunice Ribeiro <eunice at ilch.uminho.pt<mailto:eunice at ilch.uminho.pt>>, "elaine.indrusiak at ufrgs.br<mailto:elaine.indrusiak at ufrgs.br>" <elaine.indrusiak at ufrgs.br<mailto:elaine.indrusiak at ufrgs.br>>, "gabriele.rippl at ens.unibe.ch<mailto:gabriele.rippl at ens.unibe.ch>" <gabriele.rippl at ens.unibe.ch<mailto:gabriele.rippl at ens.unibe.ch>>, "geanealzamora at ufmg.br<mailto:geanealzamora at ufmg.br>" <geanealzamora at ufmg.br<mailto:geanealzamora at ufmg.br>>, Janine HAUTHAL <Janine.Hauthal at vub.be<mailto:Janine.Hauthal at vub.be>>, "hernan_ulm at yahoo.com<mailto:hernan_ulm at yahoo.com>" <hernan_ulm at yahoo.com<mailto:hernan_ulm at yahoo.com>>, "i at hznu.edu.cn<mailto:i at hznu.edu.cn>" <i at hznu.edu.cn<mailto:i at hznu.edu.cn>>, "james.cisneros at umontreal.ca<mailto:james.cisneros at umontreal.ca>" <james.cisneros at umontreal.ca<mailto:james.cisneros at umontreal.ca>>, raquel longhi <raqlonghi at gmail.com<mailto:raqlonghi at gmail.com>>, "lars.ellestrom at lnu.se<mailto:lars.ellestrom at lnu.se>" <lars.ellestrom at lnu.se<mailto:lars.ellestrom at lnu.se>>, Mattia Petricola <mattia.petricola at gmail.com<mailto:mattia.petricola at gmail.com>>, "marina.grisakova at ut.ee<mailto:marina.grisakova at ut.ee>" <marina.grisakova at ut.ee<mailto:marina.grisakova at ut.ee>>, "miriamvieira at gmail.com<mailto:miriamvieira at gmail.com>" <miriamvieira at gmail.com<mailto:miriamvieira at gmail.com>>, Xaquín Núñez Sabarís <xnunez at elach.uminho.pt<mailto:xnunez at elach.uminho.pt>>, "rajewsky at zedat.fu-berlin.de<mailto:rajewsky at zedat.fu-berlin.de>" <rajewsky at zedat.fu-berlin.de<mailto:rajewsky at zedat.fu-berlin.de>>, "tfndiniz at gmail.com<mailto:tfndiniz at gmail.com>" <tfndiniz at gmail.com<mailto:tfndiniz at gmail.com>>, "vcbrandao at gmail.com<mailto:vcbrandao at gmail.com>" <vcbrandao at gmail.com<mailto:vcbrandao at gmail.com>>, "marycrisribas at gmail.com<mailto:marycrisribas at gmail.com>" <marycrisribas at gmail.com<mailto:marycrisribas at gmail.com>>, "marion.froger at umontreal.ca<mailto:marion.froger at umontreal.ca>" <marion.froger at umontreal.ca<mailto:marion.froger at umontreal.ca>> Oggetto: 1st International Meeting of Researchers in Intermediality (Please find English version below) Caros colegas, gostaríamos de agradecer muito a participação de todos no I Encontro de Pesquisadores em Intermidialidade. O evento superou nossas expectativas não apenas pelo grande número de participações, mas principalmente pela riqueza do encontro. Além de ter rendido discussões bastante frutíferas em torno de diferentes perspectivas, este pode ter sido o início de uma rede global de pesquisa sobre a Intermidialidade. Durante o encerramento, lançamos a ideia de nos reunirmos novamente, e a colega Ágnes Pethő demonstrou interesse em sediar um próximo encontro. Para esse segundo encontro, devemos levar em conta que: * Em setembro de 2022, haverá a conferência do ISIS em Dublin, então precisamos evitar a coincidência de datas; * O II Encontro, assim como os próximos, pode ser realizado online. Nos pareceu que esse formato é apropriado para que possamos reunir o maior número de colegas de diferentes lugares. Além disso, o formato online permite a participação efetiva de todos. Pensamos, também, em criar um arquivo no Google Docs, para que possamos partilhar nossas apresentações. Aqueles que quiserem compartilhar a síntese apresentada, enviem-na por email. Aguardamos o retorno de vocês, com sugestões e comentários. Mais uma vez, obrigada. Abraços cordiais, Comissão Organizadora do 1º Encontro Internacional de Pesquisadores em Intermidialidade ------------------------------------ Dear colleagues, we would like to thank all of you for the participation in the 1st International Meeting of Researchers in Intermediality. The event positively overcame our expectations, not only in the number, but mainly in the engagement of the participants. Besides the fruitful discussions under different perspectives, we risk to say that it might have been the beginning of a global research network on Intermediality. During the meeting closure, we launched the idea of getting together again, and Ágnes Pethő showed interest in hosting another meeting. For such, it should be taken into account that: * In September 2022, there will be the ISIS conference in Dublin, so we need to avoid the same date; * This 2nd International Meeting, as well as the follow up ones, can be held online. It seemed to us that this online format is suitable for gathering many colleagues from different places and promotes an effective participation of all the involved. Last, but not least, we thought about creating a file on Google Docs to share our presentations. Those interested in sharing the presented research summary, please send it to us by email. We would love to hear your comments and suggestions. With kind regards, 1st International Meeting of Researchers in Intermediality Organizing Committee Alex Sandro Martoni [CESJF] / [UFJF] alekzmartony at hotmail.com<mailto:alekzmartony at hotmail.com> Ana Cláudia Munari Domingos [Unisc] ana.c.munari at gmail.com<mailto:ana.c.munari at gmail.com> Brunilda Reichmann [Uniandrade] brunilda.reichmann at gmail.com<mailto:brunilda.reichmann at gmail.com> Camila Augusta Pires de Figueiredo [UFMG] camilafig1 at gmail.com<mailto:camilafig1 at gmail.com> Elaine de Barros Indrusiak [UFRGS] eindrusiak at gmail.com<mailto:eindrusiak at gmail.com> Miriam de Paiva Vieira [UFSJ] miriamvieira at gmail.com<mailto:miriamvieira at gmail.com> -- X COLÓQUIO INTERNACIONAL LEITURA E COGNIÇÃO IV SIMPÓSIO INTERNACIONAL DE LEITURA, LITERATURA E MÍDIA XXI SEMANA ACADÊMICA DE LETRAS I ENCONTRO PESQUISA EM INTERMIDIALIDADE Profª Dra. Ana Cláudia Munari Domingos Prof. Dr. Carlos Renê Ayres Profª Dra. Fabiana Quatrin Piccinin Profª Dra. Sabrine Amaral Martins Townsend Comissão Organizadora [https://64.media.tumblr.com/bef380f4cae9f6d16acd70e8688d5033/b33b3aac4530ef…]

2 years, 6 months

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[Publik.ims] Next week's IMS seminar with Emilio Audissino on Film/Music Analysis

by publik.ims＠lists.sunet.se

Dear all, Welcome to next week’s IMS seminar, Emilio Audissino (senior lecturer in Media and Audiovisual Production at LNU) will give a presentation on his proposal for an approach to Film/Music analysis. Abstract: Film/Music Analysis: An Approach ‘Film/Music Analysis’ is the name I give to my proposal for an alternative approach to the study of music in films (Audissino 2017). By ‘film music analysis’ the general understanding – influenced by the musicological dominance in the film-music discipline – is that one is performing either a musicological study of the musical text (the score) or a musico-dramaturgic examination of a film’s music track. By this new label I wish to stress the inescapably interrelational nature of music and images in the audiovisual artefact. I foster an approach that be more film studies-oriented than musicological, and this can be achieved by tackling music as a cinematic device within a larger and interconnected formal and stylistic system. My take is to adopt a Gestalt-based perspective, with music seen as one micro-configuration and visuals as another micro-configuration, the two fusing into an audiovisual macro-configuration. This Gestalt approach – being based on the fusion of the aural and visual factors into a whole – is not only useful to provide alternative analytical tools but is also helpful to supersede the long-standing visual bias that to some extent still influences film studies (on this, see Rick Altman 1980; Kathryn Kalinak 1992, for example), which leads to think of music as something that is externally added to either reinforce or contradict what is already there in the visuals. A common issue when discussing music and film is to adopt – whether consciously or not – a ‘separatist’ approach, one in which music and visuals are conceptualised as two distinct entities. A ‘non separatist’ approach should conceptualise the audiovisual product as a whole in which music and visuals have a potentially equal importance and agency. When music meets the visuals, it does not merely add something to a meaning that is already there – as theorised by Noël Carroll in his ‘modifying music’ proposal, for example (Carroll 1996) – but a fusion happens between the two elements whose result is a new meaning that was not present in either of the separate elements, a multiplication in which the single factors change one another, in which ‘the whole is different from the sum of its parts’ (Kurt Koffka 1935). Within this Gestalt-informed conceptualisation, I offer more specific guidelines for practical film/music analysis. Music typically performs three types of functions in film and media: emotive function (micro-emotive and macro-emotive), perceptive function (temporal-perceptive and spatial-perceptive), and cognitive function (denotative-cognitive and connotative-cognitive). These functions are mapped onto the activities in which the audioviewer is engaged during the fruition of a film or media product – emotion, perception, cognition. This set of functions, like a compass, can help the analyst individuate what the music does within the film’s formal system in the three areas of engagement and examine how a micro-configuration contributes to the macro-configuration. Biographical Notes Emilio Audissino is Senior Lecturer in Media and Audiovisual Production at Linnaeus University, Sweden. He holds one PhD in History of Visual and Performing Arts from the University of Pisa (Italy) and one PhD in Film Studies from the University of Southampton (UK). His areas of specialism are Hollywood and Italian cinema and media, and his research interests are: film history; audiovisual style and technique; screenwriting; neoformalism; textual analysis of film and media; comedy; horror; and sound and music in media. He is the author of The Film Music of John Williams. Reviving Hollywood’s Classical Style (University of Wisconsin Press, 2021, second revised and expanded edition of the 2014 book John Williams’s Film Music), the first book-length study in English on the composer, and the editor of the collection of essays John Williams. Music for Films, Television and the Concert Stage (Brepols, 2018). His book Film/Music Analysis. A Film Studies Approach (Palgrave Macmillan, 2017) concerns a method for audiovisual analysis that blends Neoformalism and Gestalt Psychology. He co-edited the volume Cinema Changes: Incorporations of Jazz in the Film Soundtrack (Brepols, 2019), and he is currently co-editing a handbook about music in comedy cinema, under contract with Palgrave Macmillan – both with Emile Wennekes (Utrecht University). His current research deals with the cinema of Zucker-Abrahams-Zucker and has already produced the first academic investigations of their film and television works – in the collections New Wave, New Hollywood: Gender, Reassessment, Recovery and Legacy (Bloomsbury Academic, 2021) and Moments in Television. Substance/Style (Manchester University Press, 2022). Emilio Audissino will be in Växjö for the presentation, and it is possible to attend both from Dacke in Växjö and via zoom: https://lnu-se.zoom.us/j/940933326 The seminar is on the 13 Oct. from 10.15-12.00 CEST. Best wishes, Signe – on behalf of IMS IMS on Facebook: https://www.facebook.com/LNU.IMS IMS public email list: https://lists.sunet.se/listinfo/publik.ims IMS website: https://lnu.se/en/research/searchresearch/linnaeus-university-centre-for-in… Signe Kjaer Jensen / PhD Senior Lecturer, Department of Film and Literature Linnæus University Department of Film and Literature 351 95 Växjö Sweden https://lnu.se/personal/signe.kjaerjensen/ signe.kjaerjensen at lnu.se<mailto:signe.kjaerjensen at lnu.se>

2 years, 6 months

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Publik.ims October 2021